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  • In response to creating a bifurcated or a multiple parts book assignment, I drew upon my own Chinese and American upbringing to develop both visual and written content for this piece.

  • In response to creating a bifurcated or a multiple parts book assignment, I drew upon my own Chinese and American upbringing to develop both visual and written content for this piece.

  • In response to creating a bifurcated or a multiple parts book assignment, I drew upon my own Chinese and American upbringing to develop both visual and written content for this piece.

  • In response to creating a bifurcated or a multiple parts book assignment, I drew upon my own Chinese and American upbringing to develop both visual and written content for this piece.

  • In response to creating a bifurcated or a multiple parts book assignment, I drew upon my own Chinese and American upbringing to develop both visual and written content for this piece.

  • And So, We Were. is a collection of heartbreak stories I wrote based on the broken relationships of nine of my friends. It is a visual study of the complexity of love, the physicality of heartbreak, and the lessons we learn after all is said and done.

  • And So, We Were. is a collection of heartbreak stories I wrote based on the broken relationships of nine of my friends. It is a visual study of the complexity of love, the physicality of heartbreak, and the lessons we learn after all is said and done.

  • And So, We Were. is a collection of heartbreak stories I wrote based on the broken relationships of nine of my friends. It is a visual study of the complexity of love, the physicality of heartbreak, and the lessons we learn after all is said and done.

  • And So, We Were. is a collection of heartbreak stories I wrote based on the broken relationships of nine of my friends. It is a visual study of the complexity of love, the physicality of heartbreak, and the lessons we learn after all is said and done.

  • And So, We Were. is a collection of heartbreak stories I wrote based on the broken relationships of nine of my friends. It is a visual study of the complexity of love, the physicality of heartbreak, and the lessons we learn after all is said and done.

  • And So, We Were. is a collection of heartbreak stories I wrote based on the broken relationships of nine of my friends. It is a visual study of the complexity of love, the physicality of heartbreak, and the lessons we learn after all is said and done.

  • A hand-sewn book using embroidery thread and typography to emphasize the content written during a rapid writing exercise.

  • A hand-sewn book using embroidery thread and typography to emphasize the content written during a rapid writing exercise.

  • A hand-sewn book using embroidery thread and typography to emphasize the content written during a rapid writing exercise.

  • A hand-sewn book using embroidery thread and typography to emphasize the content written during a rapid writing exercise.

  • A hand-sewn book using embroidery thread and typography to emphasize the content written during a rapid writing exercise.

  • A hand-sewn book using embroidery thread and typography to emphasize the content written during a rapid writing exercise.

  • A hand-sewn book using embroidery thread and typography to emphasize the content written during a rapid writing exercise.

  • Four Fold is a publisher of evocative and tactile digital artists’ books.

  • Four Fold is a publisher of evocative and tactile digital artists’ books.

  • Four Fold is a publisher of evocative and tactile digital artists’ books.

  • Written and designed by Nada Seet, the book Oh, This May Sound Pathetic To You is about a young woman who is always falling for guys who are far out of her reach, in one sense or another. The circular structure helps enable the reader to feel the suffering of Seet’s protagonist as she “repeats the same mistakes and spirals further into loneliness.” Winner, 2012 Adobe Design Achievement, Audience Selection Award.

  • Written and designed by Nada Seet, the book Oh, This May Sound Pathetic To You is about a young woman who is always falling for guys who are far out of her reach, in one sense or another. The circular structure helps enable the reader to feel the suffering of Seet’s protagonist as she “repeats the same mistakes and spirals further into loneliness.” Winner, 2012 Adobe Design Achievement, Audience Selection Award.

  • Anaële Pélisson uses a more low tech tool to augment her book, Monsters, a complex portrait of five people convicted of pedophilia. Their secrets are revealed to the reader, with help from a hand-held blue light which comes with her book. Although most people consider her subjects monsters, Pellison’s book is surprisingly empathetic.

  • Anaële Pélisson uses a more low tech tool to augment her book, Monsters, a complex portrait of five people convicted of pedophilia. Their secrets are revealed to the reader, with help from a hand-held blue light which comes with her book. Although most people consider her subjects monsters, Pellison’s book is surprisingly empathetic.

  • Mahya Soltani Nejadian is from Iran. Her book Taa’rof devises a method for translating Farsi proverbs and expressions which on the surface sound extremely polite, are often poetic, sometimes even flamboyant in their use of language. Each spread is dedicated to a common ‘taa’rof.’ On the right side is the literal translation of each phrase, its pronunciation, its setting in Farsi and its usage. On the left—with the help of a bound in mirror—the real meaning of the phrase is revealed.

  • Jessica Lin interviews the containers of three very different sandwiches in her Book of Buns. 1. Pork Bun. 2. Fried Noodle Bun. 3. Burger Bun.

  • Jessica Lin interviews the containers of three very different sandwiches in her Book of Buns. 1. Pork Bun. 2. Fried Noodle Bun. 3. Burger Bun.

  • Based on his own experience as a child, Walid El-Khoury’s bifurcated book, Distance takes place in the Egyptian desert. A father and son each tell their own experience of losing one another in the immensity of the sand sea. Positioned on opposite ends of the book, father and son are bound together by an accordion desert. As the tale unfolds, the vast distance of being lost and frightened shrinks till father and son finally, gratefully, find each other.”

  • Based on his own experience as a child, Walid El-Khoury’s bifurcated book, Distance takes place in the Egyptian desert. A father and son each tell their own experience of losing one another in the immensity of the sand sea. Positioned on opposite ends of the book, father and son are bound together by an accordion desert. As the tale unfolds, the vast distance of being lost and frightened shrinks till father and son finally, gratefully, find each other.”

  • Based on his own experience as a child, Walid El-Khoury’s bifurcated book, Distance takes place in the Egyptian desert. A father and son each tell their own experience of losing one another in the immensity of the sand sea. Positioned on opposite ends of the book, father and son are bound together by an accordion desert. As the tale unfolds, the vast distance of being lost and frightened shrinks till father and son finally, gratefully, find each other.”

  • Based on his own experience as a child, Walid El-Khoury’s bifurcated book, Distance takes place in the Egyptian desert. A father and son each tell their own experience of losing one another in the immensity of the sand sea. Positioned on opposite ends of the book, father and son are bound together by an accordion desert. As the tale unfolds, the vast distance of being lost and frightened shrinks till father and son finally, gratefully, find each other.”

  • Najeebah Al-Ghadban’s “exploration of the human psyche” uses the institutional vernacular of mental health charts as a point of departure. Inside its exposed spine and threaded exterior, the collection of ten paper-clipped “files” that make up A White Asylum fluctuate between psychological profile and confessional prose revealing and a “discordance between expressions of heart and entrapment of mind.”

  • Najeebah Al-Ghadban’s “exploration of the human psyche” uses the institutional vernacular of mental health charts as a point of departure. Inside its exposed spine and threaded exterior, the collection of ten paper-clipped “files” that make up A White Asylum fluctuate between psychological profile and confessional prose revealing and a “discordance between expressions of heart and entrapment of mind.”

  • Based on stories culled from oral histories of her own Japanese and Japanese-American family, Donica Ida’s trifurcated book Japanese/American showcases reactions to the bombing of Pearl Harbor (and its aftermath) from three points of view: the Japanese military, the American military, and Japanese-Americans from the 1940s to present day. Each story highlights an individual’s true account.

  • In-Hee Bae’s re-interpretation of Wendelin Van Draanen’s novel Flipped depicts an unrequited love story. The book starts out with a gulf between the perspectives of a boy and a girl. As their relationship develops and they get closer, the stepped bifurcation draws closer, and eventually unites.

  • In-Hee Bae’s re-interpretation of Wendelin Van Draanen’s novel Flipped depicts an unrequited love story. The book starts out with a gulf between the perspectives of a boy and a girl. As their relationship develops and they get closer, the stepped bifurcation draws closer, and eventually unites.

  • In-Hee Bae’s re-interpretation of Wendelin Van Draanen’s novel Flipped depicts an unrequited love story. The book starts out with a gulf between the perspectives of a boy and a girl. As their relationship develops and they get closer, the stepped bifurcation draws closer, and eventually unites.