A photo o a set of crayons put in a metalic box.
A photo of what looks like crayons and a notebook with pictograms on it.
A photo of some red, cyan and brown notebooks and some crayons put in a metallic greenish box.
A photo of different notebook cover designs and some crayons.
A photo of a cyan bag filled with different notebook cover designs and crayons.

The Helvetica Spirit

Nov 15 2012

Zeynep Orbay (MFAD 08) helped TBWA in Turkey globally change it’s corporate typography to Helvetica by redesigning all of their stationery items.

“Stemming out of the Helvetica spirit we wanted them to look as Swiss as possible,” she explains. “Everything is stated and specified perfectly in the general Swiss way of packaging. All the precise info about the size, weight or materials take place directly on the packaging itself.

We did the same. But of course, we made some little tricks and added some wit-spice disrupting the specifications and the rigid Swiss-design. For each item a sentence and an odd icon is created referring to the meaning of that item in our lives.

The design understanding is intentionally kept subtle letting users discover each idea as they use these items on a long term basis.

The stationary won many awards including the Grand Prix in Golden Drum Awards and a design shortlist in Cannes Lions International Advertising Festival.”

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